In the 18th century, the city of Dresden in Saxony – already a flourishing cultural centre – became a hotspot for artists, with the founding of the Dresden Academy of Fine Arts in 1764. The painters Johann Alexander Thiele and Bernardo Bellotto (known as ‘Canaletto’) had already made the nearby, rocky landscape their muse, but the opening of the Academy catalysed the arrival of hundreds of artists to the region. Two of them, the Swiss artists Adrian Zingg and Anton Graff, named the city’s neighbouring world of dreamlike rock towers and wooded ridges ‘Saxon Switzerland’, for its resemblance to their home country. The late 1700s and early 1800s saw the emergence in Europe of the Romantic movement – particularly a pull towards emotions and feeling over rules and rationality, and appreciation and awe of the great powers and beauty of the natural world. It’s hardly surprising, then, that the dramatic topography of the Elbe Sandstone Mountains – with their patchwork of scenic outcrops, table mountains, precipitous stone stacks, and deep, green valleys – became a popular source of inspiration for the artists in Dresden.
As more and more creative souls flocked to the area and wound their way through the trees to increasingly popular spots, a mainstream route became established that linked them all together. The trail was largely forgotten for a while, due to the development of the railway in the late 1800s, but it made a comeback about a century later as the ‘Painters’ Road’ or ‘
Historic Painters’ Trail.’